I’ve really enjoyed hearing and seeing many church’s Christmas music this season. Never before have our Christmas celebrations been so visible as this year. One thing I noticed immediately, every church fell into one of four camps when presenting their music this year:
Regardless of the camp chosen, I have been very impressed with the creativity I’ve seen and the effort to make Christmas special for each community of faith. Every church has had to make some tough decisions on what to do in their own particular context based on the restrictions of their community, effect of virus on their own congregation, and comfort level. There was NO wrong way to handle Christmas music this year because every context was different.
I chose option four at my church for two basic reasons:
1. Our room (both the platform and congregation space) would not allow us the opportunity to do live presentations without at least 10 different presentations, let alone the issue of how to fit 125 in the choir and orchestra distanced in a space barely able to hold this number elbow to elbow!
2. Doing a virtual recording, using our whole sanctuary space allowed us to spread out like we needed to, and not limit the number of participants in our event this year. My number one goal this Christmas was to make sure that all who wanted to sing and play had that opportunity.
I struggled in the latter part of the summer about what to do for Christmas primarily because I’m a big time planner. Our event, Christmas at Ivy Creek, is the largest single event we do in our music ministry each year. Our investment in this event and the spread of the gospel message was just too important to forgo. By August, I was concerned about our ability to do anything for Christmas. I had thrown out the idea of doing something outside because of the volatility of the weather and I threw out the idea of doing the event up to ten times. As the fall began and we started resuming bi-monthly choir rehearsals, I realized our best option would be to do something virtual–specifically pre-recording something, but it was the first week of October when I finally felt a peace about what to do. At that point, we only had seven rehearsals before we planned to record. I knew it would be too much to ask our folks to learn a whole hour of new music and be able to internalize it. So, I started looking back at previous year’s recordings and I decided we’d do a hybrid virtual concert: some videos of songs from the past and then five new songs (four choral and one orchestra feature). I figured we could learn five songs in that time frame to get ready to record.
Getting ready to record proved to be a frustrating challenge at first! Finding a way to mic an entire room (can you say balance issues!?) and video an entire room with our equipment would not have produced the best result. The balance of orchestra to choir during this season was a challenge. While almost all of our 34 players played, only 60 of our almost 95 singers were comfortable singing. After many conversations and some trial and error during rehearsals, we realized we needed to hire an audio engineer to record the audio for our new songs. This was the best money we could’ve spent to get a real-life room sound.
We decided to record our narrations off-site this year and drop them into our “cornucopia” presentation. Because we gave my video producer only 5 days to edit and create our video for our premiere, we decided to do the narrations in mid-November. This gave him the time to make sure the previous choir and orchestra videos were extracted from the past and the narrations edited before he tackled the new material.
The day of recording went as follows:
These are the safety features we implemented. I’m sure they we are not as strict as others I’ve heard of, but now that we’re over 18 days from the recording, I can say there was no COVID transmitted during our recording!
Our experience recording went so well for us that I’m planning to bring back the audio engineer and do another round of recording for our choir and orchestra at least once more closer to Easter. We are NOT using the choir in person during our regular weekend worship services. We are using pre-recorded anthems to use for the foreseeable future. I am using orchestra and praise team every week. I miss having the choir, but allowing them the platform to sing and record has meant the world to them. They STILL get to be worship leaders, just in a different way. The goal of this blog, and this article as well, is to remind us that all persons from every generation and ability level should have a place to serve. Creativity is a must to make this happen, but it can happen. I applaud the work so many of my colleagues are doing to keep people active in worship ministry throughout this unprecedented season. I’d love to hear more ideas of how all generations are still being utilized in worship ministry.
If you’d like to see our final product, here’s a link to Christmas at Ivy Creek 2020. Below that are a few pictures from the recording day:
“Intergenerational Worship” is worship in which people of every age are understood to be equally important.