Music surrounds my life! My boys find it strange that my favorite music to listen to in the car is so varied they never know what I’ll be listening to. I will admit, though, I often have something from Latin America playing; it’s always a fiesta in my car! Joking aside, as a musician, I find that all over the world music speaks to people in different ways. Paul knew the power of music as well as he admonished the Colossians to use all types of music to remember the gospel truth.
Having been called by God to serve in vocational ministry, I’ve devoted most of my life to promoting, teaching, and glorifying God through music. I feel blessed that I enjoy leading and worshiping in most music contexts that glorify Christ and articulate the message of the gospel clearly. I’m an anomaly, however. Most people I encounter do not like all kinds of church music. In fact some are more adamant that certain types of music are genuinely more worshipful and edifying to the body. Further, there are those that believe that the presentation of “their” idea of worship music is somehow more authentic and “holy.” Then there are folks who, given the choice in their churches, would rather simply just turn the worship team “off.” It is vital that worship leaders be sensitive to this me versus them mentality and strive to integrate a musical atmosphere that is sensitive to the various generations and cultures in our churches.
If you asked most American churches to describe their worship experiences, most would say their congregational song includes some variation of hymns and/or modern worship music. From a musical standpoint, other than the newness of the songs composition, there is little really very little diversity stylistic. It’s interesting how diverse we really think our music is that many churches create services specifically to homogenize the musical style, rather than provide opportunities for diversity! When I taught high school choir many years ago, diversity of the literature was encouraged strongly to promote unity in spite of the diversity. However, our churches who should be beacons of light for the gospel, struggle to even find unity in their congregational songs!
Our lack of unity is no stranger to contemporary culture. Paul, in his letter to the Colossians, knew that unity was important for the early church because sin would always creep in and cause division. Not only should worship be vertical (in praise to God directly), Paul asserts that unity could be achieved by singing the WORD of God to each other (horizontally) in a variety of types of songs. Paul knew that the early church didn’t have the printed Word of God that we enjoy today. These early Christians would need to remember the Word somehow…and singing scripture was an incredible way for the word to “dwell richly” in the hearts and minds of those early Christians. The songs we sing today should do the same thing. We must sing substance and the music should complement the text of Truth. Further, the various types of music available today should be reflected in our worship services. I encourage the writers of today’s congregational song to branch out into styles more reflective of the diversity of our communities.
Here are some suggestions to select worship music that reflects ethnic and generational diversity, while being rich in text.
The key is strong text, varying music types, and utilizing folks from various generations AND cultures. Doing so can really make the difference in the worship experiences for ages to come. I believe this is exactly what Paul was referring to when he was encouraging the Colossians to be unified…bring your various experiences and abilities and be unified in PURPOSE and the Lord will be glorified.
Over the last several months, I’ve heard of several churches that have had multiples styles of worship prior to Covid making changes to one, more balanced, intergenerational style. Most of the worship pastors I’ve heard from are excited that their churches are embracing a more inclusive worship experience. For those of you in a similar boat, here are some great guidelines (not exhaustive, of course) for you to use when considering a shift from multiple styles back to one, more balanced, style. To be clear, this is not a call against churches with multiple styles, but rather some practical ways those churches seeking to bring greater unity to their churches by merging into one style may do so.
As a church that is pretty textbook intergenerational and our services are identical with one prevailing style, which has both traditional and contemporary elements, I can say our move in 2014 to two completely mirrored services had its own challenges. While we didn’t have a musical style issue to overcome, we did have several practical issues to deal with. Here was our scenario:
*We had an 8:30 and 11:00 service with SS in between (choir and orchestra only at 11-PT and band at 8:30- same music, but without choir feature; we moved to SS at 8:20, 9:45, and 11 and our worship times went to 9:45 and 11.
*Our shift to back to back services allowed us to use the choir and orchestra for both services (although choir was only in loft for first 10-15 minutes of service–major drawback). The plus was each service got the identical worship experience. To date I have less than a 15-20% change in choir size between the services, because the choir sings and then can go to SS, stay for whole service, or leave. The change did require many more volunteers than we had before, but the dividends have been worth it. I built up the excitement of being involved in the worship services while not having to miss SS.
*Biggest drawback has been parking. Between 10:30 and 11 is the time frame we have the most people on campus at any given time. The 11 worship attenders are starting to arrive, 9:45 attenders are still here, and our largest SS time (9:45) is still in session. We regularly max out parking, so many have to park off-campus.
If you and your staff are considering a shift and have questions, either I, or some other trusted friends who’ve been through shift like mine or a musical style shift, would be happy to talk with you about it!
I’ve really enjoyed hearing and seeing many church’s Christmas music this season. Never before have our Christmas celebrations been so visible as this year. One thing I noticed immediately, every church fell into one of four camps when presenting their music this year:
Regardless of the camp chosen, I have been very impressed with the creativity I’ve seen and the effort to make Christmas special for each community of faith. Every church has had to make some tough decisions on what to do in their own particular context based on the restrictions of their community, effect of virus on their own congregation, and comfort level. There was NO wrong way to handle Christmas music this year because every context was different.
I chose option four at my church for two basic reasons:
1. Our room (both the platform and congregation space) would not allow us the opportunity to do live presentations without at least 10 different presentations, let alone the issue of how to fit 125 in the choir and orchestra distanced in a space barely able to hold this number elbow to elbow!
2. Doing a virtual recording, using our whole sanctuary space allowed us to spread out like we needed to, and not limit the number of participants in our event this year. My number one goal this Christmas was to make sure that all who wanted to sing and play had that opportunity.
I struggled in the latter part of the summer about what to do for Christmas primarily because I’m a big time planner. Our event, Christmas at Ivy Creek, is the largest single event we do in our music ministry each year. Our investment in this event and the spread of the gospel message was just too important to forgo. By August, I was concerned about our ability to do anything for Christmas. I had thrown out the idea of doing something outside because of the volatility of the weather and I threw out the idea of doing the event up to ten times. As the fall began and we started resuming bi-monthly choir rehearsals, I realized our best option would be to do something virtual–specifically pre-recording something, but it was the first week of October when I finally felt a peace about what to do. At that point, we only had seven rehearsals before we planned to record. I knew it would be too much to ask our folks to learn a whole hour of new music and be able to internalize it. So, I started looking back at previous year’s recordings and I decided we’d do a hybrid virtual concert: some videos of songs from the past and then five new songs (four choral and one orchestra feature). I figured we could learn five songs in that time frame to get ready to record.
Getting ready to record proved to be a frustrating challenge at first! Finding a way to mic an entire room (can you say balance issues!?) and video an entire room with our equipment would not have produced the best result. The balance of orchestra to choir during this season was a challenge. While almost all of our 34 players played, only 60 of our almost 95 singers were comfortable singing. After many conversations and some trial and error during rehearsals, we realized we needed to hire an audio engineer to record the audio for our new songs. This was the best money we could’ve spent to get a real-life room sound.
We decided to record our narrations off-site this year and drop them into our “cornucopia” presentation. Because we gave my video producer only 5 days to edit and create our video for our premiere, we decided to do the narrations in mid-November. This gave him the time to make sure the previous choir and orchestra videos were extracted from the past and the narrations edited before he tackled the new material.
The day of recording went as follows:
These are the safety features we implemented. I’m sure they we are not as strict as others I’ve heard of, but now that we’re over 18 days from the recording, I can say there was no COVID transmitted during our recording!
Our experience recording went so well for us that I’m planning to bring back the audio engineer and do another round of recording for our choir and orchestra at least once more closer to Easter. We are NOT using the choir in person during our regular weekend worship services. We are using pre-recorded anthems to use for the foreseeable future. I am using orchestra and praise team every week. I miss having the choir, but allowing them the platform to sing and record has meant the world to them. They STILL get to be worship leaders, just in a different way. The goal of this blog, and this article as well, is to remind us that all persons from every generation and ability level should have a place to serve. Creativity is a must to make this happen, but it can happen. I applaud the work so many of my colleagues are doing to keep people active in worship ministry throughout this unprecedented season. I’d love to hear more ideas of how all generations are still being utilized in worship ministry.
If you’d like to see our final product, here’s a link to Christmas at Ivy Creek 2020. Below that are a few pictures from the recording day:
“Intergenerational Worship” is worship in which people of every age are understood to be equally important.