Tag: hymnody

Familiarity is the Key to Selecting Songs for Worship

Posted on by Dr. Will Whittaker

About a year ago, I had a conversation with a church member who, among other things, wanted to know how and why I chose the songs for worship here at our church.  I asked more specific questions such as: what are some of your favorite songs for congregational singing and why? Do you like newer songs and if so, why? What I usually get in response may be boiled down to one word: FAMILIARITY! In the course of the conversation, I learned that this man wants to be able to participate, but doesn’t always know every song we sing. Isn’t this true of all of us? I don’t think people are necessarily opposed to learning new songs, but what they really crave are songs that are familiar. I think this word should guide the worship planner/leader in choices that are made when selecting songs for the intergenerational church. Here are a few points to consider regarding choices in worship planning for congregational song:

  1. Familiar songs may be new or old. Familiar songs do NOT necessarily mean time-tested hymns. Familiar songs are songs that are sung enough that most in your congregation knows them well enough to participate. Further, familiar songs for one congregation may not necessarily be familiar in another context. Some songs have special meaning to a congregation that might not be on the radar of another congregation. Songs used for special occasions or at special times in the life of the church can have powerful meaning not found in any other congregation. Just remember your context and be sure to include worship music that has special meaning to the congregation often.
  2. New songs should stand the test of time. There have been many new songs that I’ve taught our congregation over the course of many years as worship leader here at the church. In my conversation with the man who asked me about my choices for worship music, I explained that the newer songs chosen for worship here at the church have been very intentional and told him to stick around, he’d know it well enough in time.
    I try very hard to pick songs with memorable text, melodies, and harmonic interest. I told him while there are some very popular songs in our evangelical world, many of them will not become part of what I call “time-tested hymnody.” I always aim to use songs that I believe will be sung by our children and grandchildren for years to come. One more note about this: I try to stay current in what new worship music is out there. Most of the time I wait some time to see if a song is going to “fall off the radar.” By the time we sing the song, it’s usually something that will last.
  3. Familiarity may be taught.  When I introduce new songs, I try make sure we sing it often enough for it to catch on. Many others have offered wonderful ideas for introducing new songs. Have someone sing the song as a solo, have one of your choirs or praise teams sing the song, have the children sing it first, etc. Once the song has been heard, try to sing it with the congregation. The tune should be easy enough to catch on by the end of the song. Continue to use the song judiciously in worship so it becomes familiar enough. If you’re pastor does sermon-series or if you have a revival or something where a new song can accentuate that series, try to introduce something then. I’ve found revivals are a wonderful time to introduce  new songs because if it’s used in all those services, the people will have many daily interactions with the songs. Some of our favorite songs here at Ivy Creek were “learned” during this intensive times of worship.
  4. Familiarity may be gauged by watching the congregation. Once of the things I do every week is look at our people as I’m leading. Are the people singing? While I expect time-tested hymnody to have greater participation, I’m watching to see what’s going on with different generations. Here’s what I’ve noticed:

    *Unless your people are die-hard listeners of Christian radio, they are not likely to know the newest songs. PERIOD. There is no age stratification here. This is why I’m not convinced that specific generations like specific types of music.

    *The songs in which more people participate are the ones that have been around longer. Okay, I get it; this is axiomatic, but I want to clarify. We sang “How Great is Our God” with the chorus of “How Great Thou Art” yesterday in worship. The former song is thirteen years old. I remember when I heard the song for the first time…I remembered thinking, “this one will be around for awhile.” As I watched, the majority of our people (young and old) sang along to both songs. We also sang an even newer song, “Lion and the Lamb” yesterday and I watched as not quite as many sang along. We’ve only sung this one for a few years, but it’s becoming more familiar.

POINT: BE CAREFUL TO “MARRY” VERY FAMILIAR SONGS WITH SONGS THAT ARE EMERGING IN FAMILIARITY! I recommend there be familiar song(s) to most people in your congregation every week. I hope no one in our congregation leaves without being about to participate if they wish to.

I don’t think worship leaders, especially in intergenerational contexts, should strive to insert some hymns and new worship songs into worship services and call it a day. While there is much to be considered in terms of the sermon, the theme (if you have one for the day), the key is to consider YOUR church context when selecting songs each week. Because there are SO many songs from which to choose for worship, be choosy worship leader! If you’re intergenerational in make-up as we are, stop trying to select songs based on your preconceived notions of what each generation prefers.

There is no “Generation Gap” in God’s Kingdom

Posted on by Dr. Will Whittaker

May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. Romans 15:5-6 (ESV)

Maybe you’ve noticed it as I have. Popular music really hasn’t changed much in the last forty to fifty years. Sure there are new fusions of multicultural influences, and techno influenced styles that have formed new sub-genres, but by in large, popular music is generally the same. Pop bands are often still dominated by a rhythm section with one or more singers. These male and female singers generally sing in about the same register (much too high for most males and often too low for females). We can expect simple harmonic structure and repetitive lyrics that provide a “hook” needed for mass audiences. Contemporary Christian music is no exception. Musically, there has been little change.

While many trained musicians often think this makes popular music (secular or otherwise) boring, I think it means that there is more common ground musically than there used to be among our living generations. For instance, when I was growing up, my Boomer parents loved music from the 50-60s-especially doo-wop. There were beginnings of rock in some of the music I heard, but there was a major shift during the formative years of the Boomer generation in popular music. As my parents aged, the popular music of their day shifted. Much of the music I (as a Buster/Generation Xer) listened to growing up is similar in many ways to what’s currently on the top 40 radio stations.

Why is this important? Well, I believe that the youngest living generations have more in common musically than our older generations. This realization can help bridge gaps in the church as well. This is good news as we move forward, especially since the quality of both text and music in contemporary worship music has risen exponentially in the last decade.

Even so, your church may be filled with people who do not listen to any form of popular music. In fact that are stuck musically in a decades-old musical style. They couldn’t care less that popular music hasn’t changed much. What they want from church is FAMILIARITY!

Familiarity is two fold:
First, familiarity means what you’d expect it to mean…it’s something you know. For instance, I had a long conversation with a gentlemen regarding this a few weeks ago. He wanted to know why we didn’t sing more old hymns. He’s argument was our people sing with more enthusiasm when we sing old gospel hymns. I simply said, “yes, that’s true, but that’s only because the songs are very familiar.” What I explained to him was while the energy is not AS high on newer tunes, I am careful to choose newer songs that I believe will LAST and will eventually become FAMILIAR parts of our hymnody.

Second, familiarity is a general feeling of “this sounds like something I’ve heard before.” This is what I’m referring to in regards to how music has stayed similar-ish over the last several decades in both popular secular and Contemporary Christian music. The mood, the affect, the instrumentation, the vocals all play into creating familiarity that are “familiar” to our youngest generations (remember this is now adults 50s and younger).

Capitalize on both types of familiarity to make inroads into closing that generation gap because all people are vital in the Kingdom of God. Living in harmony means being even more creative as a worship leader in how you create familiarity in a worship service with many varied backgrounds and experiences. A great way to bridge this gap (as an example) is to use a familiar song with instrumentation/popular musical “style”/ vocals that are more in line with what’s present in popular music. Updated “contemporary” hymns are often great ways to accomplish this, but there are others. What would you add?

Stop Trying to Be Something You’re Not

Posted on by Dr. Will Whittaker

Quite often I’m asked the question, “how does your church do intergenerational worship?” I gather these well-intentioned folks really want to know what tools, music, service orders, etc. we employ to ensure that all generations in our church are “happy.” The truth is…you can’t DO intergenerational worship, being intergenerational is who you ARE. When a church IS intergenerational in nature, the leadership makes sure that worship services are structured with the intention of demonstrating value to all ages in the congregation. This over-arching philosophy isn’t a liturgical formula, nor is just using a blended style of music in your service. It is not a multi-generational approach to service planning where there is a little something for everyone either. It is a guiding principle upon which decisions, with the guidance of the Holy Spirit, may be used to increase interaction among the generations within the church. Here are a few keys to creating an atmosphere of intergenerational behavior in worship settings for pastors and worship pastors:

*Know your people. It’s essential to know the make-up and history of the church you are serving. While you may have been hired to move things musically to another level, you’ve got to understand where your people have been. You must peruse the music library and study a few years of used congregational songs to figure out where to start. Any radical shift too soon may result in disaster. While this point may not sound like it should be included in a discussion of intergenerational behavior, remember–demonstrating value of all generations is important. To turn and “focus on a younger generation” without some education and care simply ostracizes the other generations. I’m all for investing in our next generations, but do so strategically. While your ultimate goal might be to push the envelope musically, don’t make a 180 degree turn overnight.

When I arrived at my current church, I asked lots of questions about the music and the people. I wanted to know the stories; I studied who people were and the journey that led them here. What I found out wasn’t shocking, but it was essential: our church wanted to remain family-centric and generationally diverse while being gospel centered. Basically, we want to do life together, to grow, serve, and share the love of Jesus as an intergenerational body of believers. While some of our processes (music included) have evolved, that simple idea rings ever true. This process never stops happening. As your church grows and morphs, the demographic shifts with it. Be ever-vigilant in your pursuit of knowing your people. Love them, shepherd them, and listen to them.

*Know your outside demographic. You SHOULD desire to reach your community with the gospel. You may think your music or preaching alone is going to do that, but I doubt it. What will? Ask yourself, “how excited are your current members about what God is doing in your church?” Strong morale (esprit de corps) is a powerful tool for encouraging your members to get out in the community and invite their lost friends to church.

It is also important to engage with your community at large with your physical presence as a leader. Get involved with the schools and community events as you are able. How you engage with others in the community will make a difference on your impact on the local church side.

As for the demographics within your church, you should aim to reflect the community in which you live. If not, why? I live in a fairly affluent, suburban area with a strong multi-cultural presence. There are people in our church that have lived here all their lives, but by in large, most in our area are transplants; many from all over the world. This is reflected in our area churches as well. We’ve seen more diversity over the last several years as well. This dichotomy affects who we are today, but we must be sure to be welcoming as our diversity blossoms.

Our people’s histories within the church are vast and varied. I’d say at least 60 percent of our members have been members less than 10 years, having lived somewhere else before our community. This means that a lot of our people have established preferences and specific ideas of how to do ministry. You might be surprised to find out that even with this varied experience, most newer folks have gotten on board with who we are. Yet another great reason to be sure who you are as a church. Otherwise, it might be a disaster with so many opinions. I want to say a special word about long time members…you show value to those members who’ve been here a long time is especially important because they’ve literally watched the landscape of their community change within the last twenty years. They get extra points in my book for being welcoming when their once familiar community became a popular place to live. As my pastor reminds our staff often, we’re “standing on the shoulders of their faithfulness.” Value their history and always remember the past as you look forward to the future.

*Worship music should reflect who you are. There is no magical formula for finding a ratio of modern worship songs and time-tested hymnody. It’s not possible on a global level. Gone are the days of simply using the denominational hymnal as our only source for congregational song. Should you sing lots of different music types? Yes. However, you shouldn’t “throw in” a hymn or a modern song just because you’re trying to please everyone. YOU WON’T. Stop trying to please everyone based on perceived wants. As I’ve stated before, it is more important to use songs that fit the make-up of your church. Look around you each week. Are people singing the songs you choose? If not, there’s a problem. My aim is to find a balance of choices (over time, not necessarily in one service) where most folks find something familiar. There are other obvious criteria for selection of music that have been written about numerous times, but the two most important I’ve found are: TEXT and DO-ABILITY. We never sing something that we can’t do well and we never sing something that is not textually strong.

I don’t believe it is necessary to emulate what other churches are doing around you. I don’t think it’s bad to see what they are doing and get ideas from them, but it MUST fit in your context. For instance, we are limited in our ability to do much with lighting in our worship space based on our ambient lighting. Sure, we could block all the windows and create a dark space, but our limitations stem from the fact that we value being able to see each other in corporate worship. We don’t want to create a performance venue space. This limits our ability to do some things that might be pretty neat, but it’s not who we are. We don’t make apologies for it either. We focus on what we do well and leave the rest to the other churches. There are plenty of fine churches around with FAR greater resources and space to accomplish the things that God has equipped them to do–we will be us.