Tag: hymns

Familiarity is the Key to Selecting Songs for Worship

Posted on by Dr. Will Whittaker

About a year ago, I had a conversation with a church member who, among other things, wanted to know how and why I chose the songs for worship here at our church.  I asked more specific questions such as: what are some of your favorite songs for congregational singing and why? Do you like newer songs and if so, why? What I usually get in response may be boiled down to one word: FAMILIARITY! In the course of the conversation, I learned that this man wants to be able to participate, but doesn’t always know every song we sing. Isn’t this true of all of us? I don’t think people are necessarily opposed to learning new songs, but what they really crave are songs that are familiar. I think this word should guide the worship planner/leader in choices that are made when selecting songs for the intergenerational church. Here are a few points to consider regarding choices in worship planning for congregational song:

  1. Familiar songs may be new or old. Familiar songs do NOT necessarily mean time-tested hymns. Familiar songs are songs that are sung enough that most in your congregation knows them well enough to participate. Further, familiar songs for one congregation may not necessarily be familiar in another context. Some songs have special meaning to a congregation that might not be on the radar of another congregation. Songs used for special occasions or at special times in the life of the church can have powerful meaning not found in any other congregation. Just remember your context and be sure to include worship music that has special meaning to the congregation often.
  2. New songs should stand the test of time. There have been many new songs that I’ve taught our congregation over the course of many years as worship leader here at the church. In my conversation with the man who asked me about my choices for worship music, I explained that the newer songs chosen for worship here at the church have been very intentional and told him to stick around, he’d know it well enough in time.
    I try very hard to pick songs with memorable text, melodies, and harmonic interest. I told him while there are some very popular songs in our evangelical world, many of them will not become part of what I call “time-tested hymnody.” I always aim to use songs that I believe will be sung by our children and grandchildren for years to come. One more note about this: I try to stay current in what new worship music is out there. Most of the time I wait some time to see if a song is going to “fall off the radar.” By the time we sing the song, it’s usually something that will last.
  3. Familiarity may be taught.  When I introduce new songs, I try make sure we sing it often enough for it to catch on. Many others have offered wonderful ideas for introducing new songs. Have someone sing the song as a solo, have one of your choirs or praise teams sing the song, have the children sing it first, etc. Once the song has been heard, try to sing it with the congregation. The tune should be easy enough to catch on by the end of the song. Continue to use the song judiciously in worship so it becomes familiar enough. If your pastor does sermon-series, or if you have a revival or something where a new song can accentuate that series, try to introduce something then. I’ve found revivals are a wonderful time to introduce  new songs because if it’s used in all those services, the people will have many daily interactions with the songs. Some of our favorite songs here at Ivy Creek were “learned” during this intensive times of worship.
  4. Familiarity may be gauged by watching the congregation. Once of the things I do every week is look at our people as I’m leading. Are the people singing? While I expect time-tested hymnody to have greater participation, I’m watching to see what’s going on with different generations. Here’s what I’ve noticed:
  5. *Unless your people are die-hard listeners of Christian radio, they are not likely to know the newest songs. PERIOD. There is no age stratification here. This is why I’m not convinced that specific generations like specific types of music.
  6. *The songs in which more people participate are the ones that have been around longer. Okay, I get it; this is axiomatic, but I want to clarify. We sang “How Great is Our God” with the chorus of “How Great Thou Art” yesterday in worship. The former song is thirteen years old. I remember when I heard the song for the first time…I remembered thinking, “this one will be around for awhile.” As I watched, the majority of our people (young and old) sang along to both songs. We also sang an even newer song, “Lion and the Lamb” yesterday and I watched as not quite as many sang along. We’ve only sung this one for a few years, but it’s becoming more familiar.

POINT: BE CAREFUL TO “MARRY” VERY FAMILIAR SONGS WITH SONGS THAT ARE EMERGING IN FAMILIARITY! I recommend there be familiar song(s) to most people in your congregation every week. I hope no one in our congregation leaves without being about to participate if they wish to.

I don’t think worship leaders, especially in intergenerational contexts, should strive to arbitrarily insert some hymns and new worship songs into worship services and call it a day. While there is much to be considered in terms of the sermon, the theme (if you have one for the day), the key is to consider YOUR church context when selecting songs each week. Because there are SO many songs from which to choose for worship, be choosy worship leader! If you’re intergenerational in make-up as we are, stop trying to select songs based on your preconceived notions of what each generation prefers.

There is no “Generation Gap” in God’s Kingdom

Posted on by Dr. Will Whittaker

May the God of endurance and encouragement grant you to live in such harmony with one another, in accord with Christ Jesus, that together you may with one voice glorify the God and Father of our Lord Jesus Christ. Romans 15:5-6 (ESV)

Maybe you’ve noticed it as I have. Popular music really hasn’t changed much in the last forty to fifty years. Sure there are new fusions of multicultural influences, and techno influenced styles that have formed new sub-genres, but by in large, popular music is generally the same. Pop bands are often still dominated by a rhythm section with one or more singers. These male and female singers generally sing in about the same register (much too high for most males and often too low for females). We can expect simple harmonic structure and repetitive lyrics that provide a “hook” needed for mass audiences. Contemporary Christian music is no exception. Musically, there has been little change.

While many trained musicians often think this makes popular music (secular or otherwise) boring, I think it means that there is more common ground musically than there used to be among our living generations. For instance, when I was growing up, my Boomer parents loved music from the 50-60s-especially doo-wop. There were beginnings of rock in some of the music I heard, but there was a major shift during the formative years of the Boomer generation in popular music. As my parents aged, the popular music of their day shifted. Much of the music I (as a Buster/Generation Xer) listened to growing up is similar in many ways to what’s currently on the top 40 radio stations.

Why is this important? Well, I believe that the youngest living generations have more in common musically than our older generations. This realization can help bridge gaps in the church as well. This is good news as we move forward, especially since the quality of both text and music in contemporary worship music has risen exponentially in the last decade.

Even so, your church may be filled with people who do not listen to any form of popular music. In fact that are stuck musically in a decades-old musical style. They couldn’t care less that popular music hasn’t changed much. What they want from church is FAMILIARITY!

Familiarity is two fold:
First, familiarity means what you’d expect it to mean…it’s something you know. For instance, I had a long conversation with a gentlemen regarding this a few weeks ago. He wanted to know why we didn’t sing more old hymns. He’s argument was our people sing with more enthusiasm when we sing old gospel hymns. I simply said, “yes, that’s true, but that’s only because the songs are very familiar.” What I explained to him was while the energy is not AS high on newer tunes, I am careful to choose newer songs that I believe will LAST and will eventually become FAMILIAR parts of our hymnody.

Second, familiarity is a general feeling of “this sounds like something I’ve heard before.” This is what I’m referring to in regards to how music has stayed similar-ish over the last several decades in both popular secular and Contemporary Christian music. The mood, the affect, the instrumentation, the vocals all play into creating familiarity that are “familiar” to our youngest generations (remember this is now adults 50s and younger).

Capitalize on both types of familiarity to make inroads into closing that generation gap because all people are vital in the Kingdom of God. Living in harmony means being even more creative as a worship leader in how you create familiarity in a worship service with many varied backgrounds and experiences. A great way to bridge this gap (as an example) is to use a familiar song with instrumentation/popular musical “style”/ vocals that are more in line with what’s present in popular music. Updated “contemporary” hymns are often great ways to accomplish this, but there are others. What would you add?

Ways to Demonstrate Value to the Builder Generation

Posted on by Dr. Will Whittaker

In my last post, Finding Value and Purpose for the “Builder” Generation in Your Music Ministry, I discussed the impact being in an intergenerational choir had on a choir member from the Builder generation. Because the post was getting a little long due to the narrative from the daughter of this choir member, I decided to wait to write about some practical ways leaders can demonstrate value to Builders in our choirs.  Here are a few ideas, although there are doubtless many more:

  1. Encourage them to be a part of the choir. While this may seem axiomatic, you’d be surprised how many Builders simply don’t feel wanted in the church choir. I’m not sure who has made them feel inferior, but several Builders I’ve been in contact with recount a similar story—they simply felt no longer valued. Just making them feel welcome, inviting them to participate, etc. will go a long way Builders (or any generation for that matter).
  2. Find a seat that allows them to sit if they need to. Many Builders have health issues that prevent them from standing for long periods of time. Make it easier for them to participate by allowing them to sit when they need to, providing a stool if needed, or anything to make them feel less “inferior” to other members. These members don’t want to feel awkward about needing physical concessions, so be sure to not draw attention to that need with the other choir members. Side note: these concessions don’t only apply to Builders, there are others who need help or assistance with physical limitations and you should aim to make it as easy for them as well. Getting in and out of the loft (if you have one) or risers may be challenge. Figure out a way to make it easier for those needing assistance. Perhaps have them come to the platform earlier than the rest.
  3. Sit Builders next to helpful choir members. I’ve mentioned it before, but it bears repeating, where people sit in your choir is important. Yes vocal timbre and height are important, but strategically mixing generations may prove to be even more important. I almost never put Builders by other Builders. More often than not, I make sure there are helpful choir members on either side of our Builders for various reasons, which include things such as:
    *helping them find their place in the score- mobility and dexterity are certainly not what they used to be even if they’re good music readers.
    *Be their ears– hearing in a large choir may be problematic at that age; others can tell them what they missed.
    *Help them physically– getting up and down out of their seat, helping pick up dropped folders, etc.
    I depend on these helpful choir members more than they know. I want them to tell me when there are concerns with our older adults. Usually there are issues that I can resolve once I know.
  4. Consider the tessitura/range of the musical literature. Let’s be real; as we age, our voices just ain’t what they used to be! Most older adults have weakening of breath control, loss of range, and if not careful–that widening vibrato that can lead to a wobble. While the purpose of this post is not to diagnose and correct vocal faults, it is something that should be considered. An EASY way to make concessions for literature that has extreme ranges is to re-work/re-voice parts so those unable to sing the parts as written have alternatives. Be careful when mentioning the changes—don’t imply that only older adults have these issues with their range, just simply say, “these notes are alternatives for those uncomfortable with how high this part is.” This gives everyone who can’t an “out.” Do mention that all those who CAN should sing as written.
  5. Start a Senior Adult Choir. While this might seem counterintuitive to being intergenerational, I think that age-stratified groups are helpful as long as they exist in intergenerational ministry-settings. What better way to show value to your Builders than to give them a mission-minded, ministry group that allows them to have some ownership of their own in worship leadership. This group doesn’t have to be just your church members, it can be open to the community, which really create in-roads into being a light in your community. This group usually has more free time (when not headed to doctor’s appointments) so get them out and singing in the community- sharing the gospel and building the Kingdom.

Builders who can still WANT to be involved in the life and ministry of your church. Make it as easy as possible for them to participate…just as you would anyone else.